Off My Mind, the first full EP from Tourist Activities, starts off with a literal bang. In April 2018, the band released Inchworm, a demo set of seven songs, most of which have been re-recorded and remastered into Off My Mind. “Crystal River” opens each collection, but, whereas, on Inchworm, the track begins with the light clicking of percussion and a softly strummed guitar, the Off My Mind version dives right in with a hard cymbal crash and an immediate vocal line. It feels somewhat akin to having gone to bed in your own home and then waking up lying on the floor in a Seattle garage in the middle of some band you don’t know’s practice. It’s jarring, but you’re not really upset about it.
Being dropped into the thick of it oddly works for this indie-surf-rock foursome. More typical of heavy rock bands, that technique normally puts the listener on their toes, but Tourist Activities, rather, plops you into the lines between. The whole EP has a somewhat shoegaze-y feel, so instead of the compression rampant throughout metal that hits you in the face like a non-caught fish at Pike’s Market, “Crystal River” more makes you feel like you’re standing on a magical piece of staff paper, lollingly grasping at the notes floating off the page.
Frontwoman Bailey Melton’s vocals, *ahem,* melt into each tune; a lot of the words are semi-unintelligible but still fall together into a comprehensive picture for each song. Her voice feels like it’s dripping superman ice cream all along the tracks, just watching rainbow pools form underneath her. The pools reverberate with every stroke from drummer Chris Glaser and with every pluck and strum from guitarist Kell Jacobson, whose lines coalesce with Melton’s vocal melodies throughout the EP like the hands of hockey players after a game: unified, but still unique.
The guitar work here, from both Melton and Jacobson, is really quite impeccable. It makes this album. Off My Mind truly embodies the “surf” of “surf-rock,” with rhythmic guitar sections throughout each track that grab attention and make you feel like you’re really sitting on a pier in Santa Monica, rubbing your toes in the sand, the sun on your back, watching kids roll by on skateboards, roller blades, and retro bicycles, maybe using your tongue to lick up the rolling streams of ice cream about to cascade down the back of your hand.
Because all of the songs on Off My Mind follow this general framework of somewhat-indiscernible lyrics paired with compelling, oscillating guitar lines, no one track really stands out as the clear frontrunner. But, no one track stands out as the clear loser, either. Each of the six tunes is wholly distinguishable from the others while also jiving together to form a true work of cohesion — even though this EP is a conglomeration of an old project mixed with a new one.
The aforementioned “Crystal River,” along with “Greenwater,” “Calamine,” and “Hatchet” — from which the title of the EP comes — also appeared on Inchworm, but second track “Sauce” and finale “Swim,” were newly recorded for Off My Mind. As opposed to the gung-ho start of “Crystal River,” the almost-five-minute-long “Swim” closes the album with Melton’s hypnotic repetition of “sink or swim,” followed by a slow fade-out of guitar distortion. Instead of starting with a bang, we’re ending with the slow crawl of the ocean waves as they slowly drag the shoes you left sitting on the sand out to sea — you didn’t notice the tide flowing closer to shore because you were too focused on lapping up the sweet sugar milk running down your fingers.
Oh well, better get that off your mind.
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